Le riprese più belle degli anni ’90 in un supercut



I supercut potrebbero sembrarvi tutti identici, ma ce ne sono comunque alcuni che danno tante soddisfazioni. Questo stupendo video di Ignacio Montalvo riprende le riprese più belle che ci hanno regalato le anni ’90.

Con quasi 90 film presenti nel montaggio di 3 minuti, questo video raccoglie quello che c’è di meglio in circolazione da Virgin Suicides a Seven. Ecco per voi anche la lista dei film presenti nel supercut.

-Goodfellas (1990, Martin Scorsese)
-Wild at Heart (1990, David Lynch)
-Miller’s Crossing (1990, Joel Coen)
-Close-Up (1990, Abbas Kiarostami)
-The Godfather: Part III (1990, Francis Ford Coppola)
-Edward Scissorhands (1990, Tim Burton)
-King of New York (1990, Abel Ferrara)
-The Silence of the Lambs (1991, Jonathan Demme)
-Barton Fink (1991, Joel Coen)
-Terminator 2: Judgment Day (1991, James Cameron)
-Beauty and the Beast (1991, Gary Trousdale, Kirk Wise)
-Europa (1991, Lars Von Trier)
-Thelma y Louise (1991, Ridley Scott)
-Night of Earth (1991, Jim Jarmusch)
-Cape Fear (1991, Martin Scorsese)
-Aladdin (1992, Ron Clemens, John Musker)
-Malcolm X (1992, Spike Lee)
-Batman Returns (1992, Tim Burton)
-Dracula (1992, Francis Ford Coppola)
-Unforgiven (1992, Clint Eastwood)
-Reservoir Dogs (1992, Quentin Tarantino)
-True Romance (1993, Tony Scott)
-Chungking Express (1993, Wong Kar-Wai)
-The Piano (1993, Jane Campion)
-Schindler’s List (1993, Steven Spielberg)
-Jurassic Park (1993, Steven Spielberg)
-The Nightmare Before Christmas (1993, Henry Selick)
-The Shawshank Redemption (1994, Frank Darabont)
-Pulp Fiction (1994, Quentin Tarantino)
-Léon: The Professional (1994, Luc Besson)
-The Lion King (1994, Rob Minkoff, Roger Allers)
-Apollo 13 (1995, Ron Howard)
-La Haine (1995, Mathieu Kassovitz)
-Se7en (1995, David Fincher)
-Heat (1995, Michael Mann)
-Casino (1995, Martin Scorsese)
-Before Sunrise (1995, Richard Linklater)
-Braveheart (1995, Mel Gibson)
-Toy Story (1995, John Lasseter)
-Mission: Impossible (1996, Brian De Palma)
-Fargo (1996, Joel Coen)
-The Rock (1996, Michael Bay)
-Romeo + Juliet (1996, Baz Luhrmann)
-Trainspotting (1996, Danny Boyle)
-Cube (1997, Vincenzo Natali)
-Event Horizon (1997, Paul W.S. Anderson)
-Happy Together (1997, Wong Kar-Wai)
-Titanic (1997, James Cameron)
-The Fifth Element (1997, Luc Besson)
-Boogie Nights (1997, Paul Thomas Anderson)
-L.A. Confidential (1997, Curtis Hanson)
-The Game (1997, David Fincher)
-Abre los ojos (1997, Alejandro Amenábar)
-Face Off (1997, John Woo)
-Men in Black (1997, Barry Sonnenfeld)
-Contact (1997, Robert Zemeckis)
-Lost Highway (1997, David Lynch)
-Gattaca (1997, Andrew Niccol)
-Taste of Cherry (1997, Abbas Kiarostami)
-Good Will Hunting (1997, Gus Van Sant)
-Kundun (1997, Martin Scorsese)
-Run, Lola, Run (1998, Tom Tykwer)
-La vita è bella (1998, Roberto Benigni)
-The Big Lebowski (1998, Joel Coen)
-Rushmore (1998, Wes Anderson)
-American History X (1998, Tony Kaye)
-Pleasantville (1998, Gary Ross)
-What Dreams May Come (1998, Vincent Ward)
-The Thin Red Line (1998, Terrence Malick)
-Saving Private Ryan (1998, Steven Spielberg)
-He Got Game (1998, Spike Lee)
-Dark City (1998, Alex Proyas)
-Ronin (1998, John Frankenheimer)
-Buffalo ’66 (1998, Vincent Gallo)
-Fear and Loathing in Las Vegas (1998, Terry Gilliam)
-Great Expectations (1998, Alfonso Cuarón)
-The Truman Show (1998, Peter Weir)
-The Green Mile (1999, Frank Darabont)
-Man on the Moon (1999, Milos Forman)
-Matrix (1999, Lilly Wachowski, Lana Wachowski)
-Fight Club (1999, David Fincher)
-American Beauty (1999, Sam Mendes)
-Todo sobre mi madre (1999, Pedro Almodóvar)
-Magnolia (1999, Paul Thomas Anderson)
-The Sixth Sense (1999, M.Night Shyamalan)
-Eyes Wide Shut (1999, Stanley Kubrick)
-The Virgin Suicides (1999, Sofia Coppola)